Photo Courtesy of Jehan Harney Mahmoud Rezaei-Kamalabad, an auto mechanic in Cambridge, Mass., is the subject of Jehan Harney’s film “Soul Mechanic.”

WASHINGTON -- Jehan Harney knows the images by heart. Most Americans do. The bearded men in head wraps with ammunition bandoliers ringing their chests. Women draped in heavy cloth wailing over coffins. The grim faces of the Sept. 11 hijackers.

It is all, she fears, that Americans see when they think of Muslims. Muslims with rocket launchers in desert wastelands beamed into their living rooms via television. Muslims on trial as members of al-Qaida sleeper cells.

“I’m trying to think about any positive Muslim stories in the media,” Harney said. She paused and looked up at the ceiling of her Alexandria, Va., home, as if scanning the pictures in her mind. Finally, she shook her head. “I can’t think of one. The American media don’t cover the Muslim community unless a bomb shows up.”

Harney, a TV journalist, filmmaker and Muslim, set out to capture a different story. Her short film, “Soul Mechanic,” about a Muslim car mechanic and artist in Cambridge, Mass., was selected as a finalist in the “One Nation, Many Voices” online film festival last week. The documentary tells the story of a Muslim mechanic who uses his garage to display sculptures that fuse Islamic, Christian and Jewish symbols.

Festival sponsors wanted filmmakers to get beyond the head wraps and terrorism, to portray the complex and little-understood Muslim American experience. The winning films were announced last week by judges who included Danny Glover, Kareem Abdul-Jabbar and Mariane Pearl, the widow of slain journalist Daniel Pearl. The films show such images as the lighthearted drawings of a 22-year-old college student who dreams of becoming fat or fleeing to Australia to escape an arranged marriage.

There are videos of a young boy, frowning at a plate, who wants people to know: “Broccoli is my personal jihad.” And of a woman wearing a headscarf who declares, “I, too, shop at Victoria’s Secret.” There are stories of frustration, including a Muslim Boy Scout troop on an outing in Dearborn, Mich., that is stopped by police after someone called 911. And a hilarious warning to fellow Muslims in a comedy: “You thought driving while black was bad--try flying while Muslim.” His advice? “Don’t act weird. You’re just going to delay everybody.”

The diversity of voices--a Muslim rapper, a lonely Muslim skateboarder in the Midwest, a tense drama about Islamic tradition and the African American community--is exactly what the festival sponsors, One Nation, say they were after. The organization, a philanthropic collaboration of Muslim and non-Muslim business leaders, was founded in 2006 by retired businessman George Russell, who became alarmed by public opinion polls showing that nearly half of all Americans still held negative views about Muslims, more than in the days just after the Sept. 11 terrorist attacks.

“The fact that so many Americans were lumping all Muslims together and thinking they were terrorists was a very dangerous situation for the country,” said Henry Izumizaki, vice president of One Nation. “If we allow such misperceptions to persist over time, they’ll become part of the American fabric.”

Harney knows those public opinion polls by heart. One in four Americans admits feeling prejudice against Muslims. One in four favors more rigorous security measures for Muslims, such as special ID cards. Fewer than half believe Muslim Americans are loyal to the United States.

Harney remembers how disheartening it felt to watch ABC’s “World News Tonight” when then-anchor Peter Jennings took to the streets, asking: “Why do they hate us?” Jennings, she said, was referring to Muslims.

“After [Sept. 11], even people I considered friends became intolerant of Muslims,” she said. “And we Muslims can’t seem to express ourselves in a way other than preaching. People keep repeating, ‘Islam is tolerance. Islam is peace.’ But it’s not getting through. Not even to me.”

Harney sat in the kitchen of her historic townhouse in Old Town Alexandria in front of her laptop computer. As her two young children played upstairs, she said she came to the United States from Egypt 12 years ago to study international journalism at American University. What she has learned, what she has observed about the U.S. media, she said, is the power of storytelling. And since the terrorist attacks, she said, she had been looking for a story that would, even in a small way, counter the onslaught of violent images.

Then she found Mahmoud Rezaei-Kamalabad, owner of Aladdin Auto Service in Cambridge. Rezaei-Kamalabad, a Shi’a, came to the United States from Iran 30 years ago to study filmmaking. With a growing family, he instead began to work as a mechanic. By day, he invites customers to sit, have tea and talk about their lives as they wait for their cars to be repaired. At night, he creates art that draws from the world’s major religions. He combined the Bible, the Torah and the Koran into one book, and called it “The Book of Light.” The film opens with him slowly chanting “ya Rabb,” or, Harney said, “Oh Lord.”

“It was his voice, when I heard it, that’s what grabbed me. Listen to him singing the names of God. It’s so calming. So meditative,” she said, watching the film on her laptop. “And his art is such a beautiful blend of religions. People have said to me, ‘That’s an interesting view of Islam.’ But that is Islam. We believe in Jesus. We believe in Moses. We believe in the Torah. He sends that message, more than preaching. His art touches people.”

The film features a Jewish mother and her daughter visiting Rezaei-Kamalabad after Hebrew school, a young American who gets her car fixed and often chats with him over tea, and a neighboring businessman who says that Rezaei-Kamalabad can transform cars and souls at the same time.

What Harney hopes, she said, is for Americans who know little about Islam other than Sept. 11 to be touched by Rezaei-Kamalabad’s story. And for Muslims, some of whom gave her, a Sunni, grief for filming a Shi’a, she hopes to remind them that their faith embraces all religious traditions.

“It’s a message of hope, diversity and tolerance,” she said. “And we need more of it.”

Finalists and winning films will be broadcast on LinkTV. They can be viewed online at http://linktv.org/onenation.